• Double click on the Part to open it in the Audio editor. Each lap of the cycle is represented in a different segment, stacked as "lanes" of the editor (as described above). When playing back the audio, only one of the segments can be heard (usually the one in the top lane), since all these events are on the same Audio channel

TIP- If you don't see the audio represented on seperate lanes, make sure that "By Output" in the View menu is NOT enabled. If it isn't then you may not have recorded long enough or you weren't in cycle (loop) mode or you were set to "replace" mode, instead of "overdub" (this setting found on the left edge of the transport bar).

• By using the mute tool (looks like a big 'X' in the toolbox) you can audition the differnt takes. If you find an acceptable one just click on the othertakes, and either mute or delete them. However, what most people do is to construct a composite take using the best elements of all the takes.This is done by trimming, slicing, masking or muting the segments as requiredin order to assemble the best composite take for the section. Remember that the last take recorded is the one in the top lane and the take that initially will be heard.
  TIP- Enabling "Snap to zero" in the Audio menu will help cut down the audio clicks which can occur during the editing process.
  

• To see the composite take on one contiguous lane, enable By Output in the View
  menu. Try also disabling Handles in the View menu to clarify thedisplay.